still from Contact Zone (Level 2), 2024. Installation by Miriam Simun. Courtesy of the artist and Onassis ONX.

TECHNE Homecoming
Review by Refresh Team
January 8, 2026
The Future Is Multiple

Still from N'Zinga Mbondo, 2024. Installation by Damara Ingles. Courtesy of the artist and Onassis ONX

Still from The Deer of Nine Colors, 2024. Video installation and sculpture by Andrew Thomas Huang. Courtesy of the artist and Onassis ONX.

Extract from The Deer of Nine Colors, 2024. Video installation and sculpture by Andrew Thomas Huang. Courtesy of the artist and Onassis ONX.

Installation view of TECHNE: Homecoming at Onassis ONX, New York (2026). Photography by Mikhail MIshin.

Extract from Contact Zone (Level 2), 2024. Installation by Miriam Simun. Courtesy of the artist and Onassis ONX.

Extract from Contact Zone (Level 2), 2024. Installation by Miriam Simun. Courtesy of the artist and Onassis ONX.

Installation view of TECHNE: Homecoming at Onassis ONX, New York (2026). Photography by Mikhail MIshin.

Installation view of Drinking Brecht, 2024. Performance and installation by Sister Sylvester. Courtesy of the artist and Onassis ONX.

Installation view of Drinking Brecht, 2024. Performance and installation by Sister Sylvester. Courtesy of the artist and Onassis ONX.

Installation view of TECHNE: Homecoming at Onassis ONX, New York (2026). Photography by Mikhail MIshin.

Installation view of Atmos Sphaerae, 2021. Installation by Tamiko Thiel. Courtesy of the artist and Onassis ONX.

Installation view of TECHNE: Homecoming at Onassis ONX, New York (2026). Photography by Mikhail MIshin.

Memo, Nathalia Manta and Aias Kokkalis, courtesy

Installation view of TECHNE: Homecoming at Onassis ONX, New York (2026). Photography by Mikhail MIshin.

“Technological systems are devoted to reduction.TECHNE Homecoming insists on the opposite. The future belongs to those who multiply the world, layer it, complicate it. ”