Clair-Obscur
Bourse de commerce, Paris

"The Bourse de Commerce is transformed into a luminous and crepuscular landscape, offering visitors a sensory experience in which the visible meets the invisible."

Camata, Pierre Huyghe
Bourse du Commerce, Paris (European Union)

"Pierre Huyghe’s film Camata (2024) unfolds in the museum’s Rotunda as a meditation in which life and death, reality and fiction, the human and the non-human are replayed to question humanity’s place within a universe shaped by technology."

Throught the Glass Darkly
MOCA, Taipei (Taiwan)

"Ami Kong solo Often, we are left to navigate the fracture in sanity that arises when the world we remember no longer matches the world we see."

Lee Bul
M+ Museum (Hong Kong)

"Combining wide-ranging references from critical theory, art history, and science fiction, these striking works explore entwined ideas of figuration, gender, and beauty in an increasingly technological world."

Me and Others
Fondation EDF, Paris (European Union)

"This group show asks whether the internet, by occupying nearly a third of our waking hours, is drawing us closer together — or quietly sealing us off from those who are different from us. As our social lives migrate online, are the algorithms and platforms shaping our connections fostering richer, more diverse communities, or are they locking us into echo chambers of sameness? With: Nicolas Bailleul, Aram Bartholl, Léa Belloousovitch, Neïl Beloufa, Sophie Calle, Paola Ciarska, Laurent Grasso, Juliette Green, Ben Grosser, Özgür Kar, Béatrice Lartigue, Lauren Lee MacCarthy, Katherine Longly, Randa Maroufi, Magalie Mobetie, Martine Neddam, Philippe Parreno, Françoise Pétrovitch, Valentina Peri, Marilou Poncin, Jeanne Suspuglas "

Lettres à Vera
Avant-Galerie Vossen, Paris (European Union)

"A tribute. From one woman to another Artist Agnès de Cayeux is interested in the forgotten history of women and machines: “Code fascinates me. Computer languages inspire me. Women and machines throughout history captivate me (...)"

collapse: data.models.worlds
Athens (European Union)

"Bringing together ten artists and collectives based in Athens and abroad, collapse: data.models.worlds. explores how technology—and in particular the increasing deployment of artificial intelligence—promises solutions that are inextricably linked to mechanisms of exploitation of human and natural resources."

Withdrawal: Our Collective Existence
MOCA, Taipei (Taiwan)

"Although the term “withdrawal” might invite negative connotations at first glance, it actually implies that the collective is a temporary mode of existence. Unlike an art world focused on individual images, “withdrawal” allows us to step back from these personal displays. No matter how impressive an artist’s achievements are, they still must fit into the broader collective context. Furthermore, “withdrawal” acts as a clear reminder that an artist’s individual success often overshadows the visibility of the collective."

Phantasmagoria: Folkloric Sculpture for the Digital Age
Henry Moore Institute, Leeds

"Group exhibition brings together artists working across sculpture, moving image, performance, video games and installation to explore how digital technology is reshaping culture today."

Metahaven
Beaux-art, Paris

"conference/talk"

Durchdringung
KunstWererein, Bonn,(Deutschland)

"A culmination of the artist’s longstanding engagement with constitutive, visible and invisible registers of violence and agency, Durchdringung—penetration—evokes the forces that enter, infiltrate, and transform"

The Heresy of Legacy
Volume Gallery, Chicago (USA)

"How innovation emerges in friction with established legacies, and how heresy becomes the foundation for new canons. "

The First Homesexuals
Kunstmuseum Basel | Neubau (Swizerland)

"The exhibition The First Homosexuals: The Birth of New Identities 1869–1939 at the Kunstmuseum Basel turns the spotlight on the early visibility of same-sex desire and gender diversity in the arts."

Spring Rising
Pola Museum of Art, Hakone (Japan)

"The Museum’s First Exhibition Focused on Hakone "

Alice Bucknell Clipped Horizon
Basement Roma, Rome (European Union)

"Bucknell’s solo exhibition title, Clipped Horizon, borrows from video game terminology, where “clipping” means a glitch in which collision logic breaks but the system keeps running. Welcome to the cosmic bug."

Here Come the Sun
Cercle Cité Luxembourg City (European Union)

"Here Comes the Sun: Art, Energy and Natural Intelligence - New event by Elektron with James Bridle, Alice Bucknell, Solar Protocol Curators Françoise Poos Vincent Crapon"

New Humans: Memories of the Future
New Museum, New York (USA)

"New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes"

AYAKO ROKKAKU
KOENIG GALERIE, Berlin (European Union)

" Ayako Rokkaku’s fourth solo exhibition SCENERY IN THE PROCESS OF BEING FORMED,"

CAPTCHA Realism
Salzburger Kunstverein, Salzurg (European Union)

"There was a time when one’s status as verifiably human could be taken for granted. Today, however, the question seems no longer “Are you human?” but rather “Can you be perceived as human?” "

The skies closed themselves when we averted our gaze
The Power Plant, Toronto (Canada)

"For their Fall 2025 exhibition at The Power Plant, Frei Njootli shows new and recent work that rethinks how representations of Indigenous life are produced and consumed"

(in)visible
DIB, Bangkok (Thailand)

"Drawing from a collection shaped over three decades and expanded through new collaborations, the exhibition brings together 81 works by 40 contemporary artists, many showing in Thailand for the first time. "