Clement Valla, 48 50.159 Saint Barbara, Surface Proxy (2016), Photo by Vinciane Verguethen, courtesy curatorial office, Paris
After-ImagesPerception in Flux.
February 16, 2026
Sarah Maria Lillig
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Eliza Douglas in Anne Imhof’s Angst II, 2016. Performed at Hamburger Bahnhof, Berlin, 2016. Photo: Nadine Fraczkowski. Courtesy: the artist, Isabella Bortolozzi Galerie, and Galerie Buchholz.
Michaelina Wautier, Zwei Mädchen als Hl. Agnes und Hl. Dorothea, um 1655, Royal Museum of Fine Arts Antwerp, Collection KMSKA - Flemish Community , Courtesy RCA, London and Kunsthistorisches Museum, Wien.
“In the post-digital era images and their after-images are increasingly co-fabricated.”