A Counter-Narrative:
Digital Specters Against Homogenization

Yuko Mohri "Entanglements"
The World Refuses to Stay Still

Josèfa Ntjam
Diversity as the Engine of the World

Marguerite Humeau's Torches
Extinction as Evolutionary Fact

Audio Reviews Transcription
Pauline Simons

"Of Other Places"
Parallel Realities in a Closing World

The Taipei Biennial Knows
What's Coming

When Algorithms Kill Imagination
MUNCH Museum Fights Back

Extraction, Computation, Resistance
The 5th Industrial Art Biennial. The Vast Automaton

Art is a Network
Logging into The Wrong

More Than Human
More Than Machine

Four Worlds, 600 Works, One Unforgettable Journey:
Inside 'Exposition Générale'

The myth of ‘Being’
Ivana Bašić’s world of transmutations

The Viewing Machine
The Radical New Fondation Cartier

When the Game Plays You
Inside Mélanie Courtinat's "Indulto"

Octobre Numérique
Where the Digital Dissolves Into Life Itself

Ryan Gander
"I’ve Fallen Foul of My Desire"

Love as Instrument: Alice Bucknell
Dismantles the Myth of Human Supremacy

In the Algocene
Autonomy is Indistinguishable from Servitude.

Loops of Becoming
Philip Ullman's 'Preoperational Model'

Co-Evolution Without End
Eunjo Lee's Trilogy as Living System

Sorry Sun
A Quiet Triumph of Poetic Resistance

Mapped and Trapped
Technology's Imperial Reckoning

Eleven Artists, Two Years, One Question
Who Really Controls Technology?

New Ways of Seing Festival
Rethinking How We See

The Glorious Sludge:
Most Dismal Swamp "The Bastard Fields"

A Modern Prophecy
Auriea Harvey's Poetic Resistance at Arebyte

Libby Heaney
The Quantum and the Sublime

Subject to Change
A Pause in the Age of AI

Rirkrit Tiravanija
In Aliens We Trust

Between the Car and the Forest:
aurèce vettier’s Resonant Dream

The Silent Power of Witness
Malashchuk and Khimei's Masterful Restraint

The Chapel and the Screen
OFFSCREEN Achieves Curatorial Perfection

Accumulation and Obsolescence
Lovid's Ever-Growing Electronic Graveyard

Peter Doig: House of Music
Play it again. And again. And again.

Forget 'Computer Says No'
The Real Danger is When the Machine Says Yes.

The Quiet Apocalypse
Louis-Paul Caron's Seductive Visions of Collapse

The Sea Around Us
Post-Anthropocentric Tides

Online exhibition
You Were Never Solid

From Spam to Slop
The Exhibition We Deserve (Unfortunately)

When Nature Needs a Render Engine
Jakob Kudsk Steensen's Beautiful Problem

Orchid Island
Laurent Grasso Exhibition

The Beautiful, Boring Trap
of the AI Pet

Annka Kultys Gallery
A New Exhibition and A New Ticketing Model

Lawrence LEK solo show
“Life before Automation“

The Perfection Trap
Maya Man's StarQuest

Oliver Laric. Liminal Beings
From Scan to Stone,The Continual Remix

Estampa at OFFSCREEN
When Algorithms Dream of Swans

The Eternal Collapse
Julius von Bismarck's Kinetic Monuments